How the granite is covered in ice,
and a frost lies on the ground –
This town, frosted with memories,
There’ll be warm station beer,
there’ll be a cloud overhead,
there’ll be melancholy music –
I’m saying farewell for good.
More than sky, warmth, humanity,
more than dark sorrow, the poet.
Pointless discussing the eternal,
or anything that simply isn’t.
On the river Kama this happened,
the blue-black Kama’s wings,
where Mandelstam screamed his toothless song
at the Pushkinites for free.
A prisoner pulls off his coat at the end of the carriage
knocks out a pane with his fist
(like Grigor’ev drunk with the gypsies)
and stands barefoot on the glass.
For a long time the blood pours across the floor.
For a long time the blood drips from his fist.
And the sky rushes in through the opening
and the clouds rest on his head.
I was born – even now can’t believe it –
in a labyrinth of factory yards
in that dove-like land, divided
between crooks and the nick a thousand years.
That’s why I hate diminutives
and when someone comes round mine
and asks with a smile for vinegar
I always comply.
Bedjackets, bookshelves,
photos of Dad – all revolt
the ones who squat on the bare earth
and know how to sit it all out.
The memory-heap: all different, different,
as the one who is dead once foretold,
what doesn’t fit in is beautiful,
what can’t find a place in the soul.
Too much of everything can’t find a place.
There are trains standing in the station –
Time to go. A boy and his mum say goodbye.
They’ve enlisted her poor boy. ‘Now you write –
A letter at least or we’ll worry, my pet.’
At partings dawn is way worse
Than sunset. Give me a kiss, then!
More than dark sorrow, the poet.
Boris Borisovich Ryzhy (1974 - 2001) Russia
Translated by Sasha Dugdale
Source: Modern Poetry in Translation Series 3 No. 1 - 2004
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